school photos
By celticman
- 11182 reads
The little girl went down in the slush, not hard, the way adults do, but in that soft boned sprawling way kids have. She was a cute little thing in her school uniform, the gold threads of the crest of what I took to be the local school, St Stephen’s, poking through the neck of her green anorak. A barrette kept her long hair from sweeping over her forehead as she peered, with clear grey eyes, through the fall of soundless snow in my direction. She got up and slipped again and clung to McIver’s hedge, studying her feet and thick cabled socks that looked as if they’d leave her skinny legs uncovered from knee to ankle as soon as she moved. Her eyes rested on me. Wells Street had quite a gradient. I was wearing Doc Martin boots and even I was slipping. I scanned the parked cars shaped into street art by falling snow and up towards Shakespeare Avenue searching for the lumbering presence of an adult or even the bundled up presence of an older brother or sister hurrying along to catch up with the little girl. When I got close enough she tried standing, but fell forward, grabbing for nearest thing, my pure wool coat which reached beyond my knees. I caught her wrist and gripped her cold hand and held her upright and safe. She was barely up to my hip. I hunched down to her level, feet sliding sideways.
‘You waiting for your mum?’
A shake of her head. No.
‘You goin’ to school?’
A shake of her head. Yes.
‘Okay then,’ I said, standing up slowly.
Her shoes were black and shiny, but broad and flat-soled leather, which irked me. She might as well have been wearing skis. We slid diagonally down towards the dentists, shunting the snow one way to where the pavement should have been and letting gravity do the rest as we moved in the other direction. She giggled as I made a game out of it.
We got safely to the corner of Duntocher Road, which was relatively flat. Kids hurried along, careless of their bodies in the grey slush, faces hidden in the private igloos of Parker hoods. Ungainly adults wearing hats and hoods, heads bowed, bowled along behind them. Cars skittered along scattering snow mush towards the side of the road, but it was all one big snow pavement now. Parents looked at them out of the corners of their eyes, resentments shaping their faces, as if they were alien to the landscape and drivers should be walkers and stumblers like them.
‘You must be new to the school.’ I helped her cross the road and we followed the others towards the school gates. I used that milky voice that we use when talking to small children or small animals. ‘What primary are you in primary one?’
She nodded in a shy way, neck bent, face hiding in her hair, as if even that small effort had been too much.
I was glad when we reached the cast-iron railings. Inside the playground children were delirious with creation, screaming in the delight of stamping and running and jumping and hustling away any patches of virgin snow. I let go of her hand as the school bell went. But she didn’t let go of mine, grabbing at my fingers and holding on tight.
I leaned over her. ‘It’s ok darling. I won’t leave you.’
She sheltered behind my legs.
‘You scared?’
She nodded. ‘Sometimes big people don’t understand,’ she said.
‘Ah know darlin’. Ah know. But you better hurry up or you’ll be late.’
She tugged at my hand to get us moving. We were only one-hundred yards from the gates. I walked down with her and stood at the gate and watched her solemn little face as she trudged across the playground past the school kitchens and lost sight of her in a gaggle of other kids as they climbed up the four stairs that took them inside the main building.
‘You lost something?’
I whirled round a daft smile still coating my face.
Mrs Cunningham wore a long black leather coat, and hip length boots, but her head was bare. She had her back against the railing that separated road from pavement and was fish-eying me. Her sing-song voice was unusually harsh. She lived five blocks down from us and I’d never spoke to her much because, even though she was an old woman with kids, she had proper breasts and was too pretty to have a conversation with.
I was glad of the swirling snow because it kept my cheeks from flaming. I patted the plastic bag I’d rolled up and put on my head as a hat, to keep the snow off my hair. I thought maybe that had upset her in some way. ‘No,’ I said. ‘I was just taking that wee lassie into school.’
‘Whit wee lassie?’
Mrs Cunnigham’s lips were set tight to a thousand splinters. The lollipop man knocked his wellington boots off the bottom of the fence to clear them of snow before he went into the jannie’s office for a cup of tea and to get changed. ‘Charlie, you see him with any wee lassie?’ she asked him.
The lollipop man battered his cap off the top bar of the railing and looked at me through his thick specs. ‘Probably drugs or drink,’ he said. ‘They’re all on it. I was watchin’ him.’ He put his cap back on, pulling the brim down so his eyes were shaded. ‘Or glue,’ he added.
Mrs Cunningham tugged at the lapels of her leather coat making her breasts jump. ‘That’s whit I thought. I’ve got two daughters at that school.’
‘But the wee lassie…’
Mrs Cunnningham took a step towards me. ‘Look son, I don’t like it when you keep talking about wee lassies.’
‘Or wee boys,’ said the jannie.
They looked at each other and shook their heads. She tugged at her earlobe and gold-bobble earring. ‘Look son,’ she said, in a more placatory tone. ‘Just don’t let me see you back here again. I know your Ma and you come from a good family. Let that be the end of it.’
‘But the wee lassie…’
‘Let that be the end of it!’
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Comments
Great story with a mysterious
Great story with a mysterious ending. Loved the portrayal of the Winter scene. Very much enjoyed. Jenny.
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presence of an older brother
presence of an older brother of sister ...or
grabbing for nearest thing...the
faces hidden in the private igloos of Parker hoods... Nice image
They looked at each other and shook their head....did they share one?
I like this Celt.. the writing's fine, but yours always is. But the story left me dissatisfied. Are you writing more? I think if this is a one off short story then it needs work to make it complete. It feels as though you rattled it out and sold it short. For me it didn't work as a snap shot piece. If it's part of something more, fantastic. I want to know the girl's backstory. I want development of his dischord with the lady with the bouncing breasts.
I’d never spoke to her much because, even though she was an old woman with kids, she had proper breasts and was too pretty to have a conversation with. .. I know this is the telling sentence of the story. It says that he's more comfortable with girls than women. It explains why he's at the school. It's as subtle as the sugar in a pickled onion. So yes, maybe it does work as a stand alone but for me it left me with too many questions that I want answers to...perhaps a good thing because it won't leave me three seconds after I close the page down and that's alweays the mark of a good piece on here. If you think about it an hour after you've left the site then the story has done its job. This one will stick.
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The blundering snow walk is
The blundering snow walk is so originally written. Stumbling adults staring down drivers made me nod with knowing. I've interpreted the little lass as a ghost, even though her physicality is so precisely told. It makes an eerie short, but I'd love to see her again.
Earring's lost an 'r' and there's a stray 'Cunnigham.'
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Better late than never ......
Better late than never ...... I hope there is another part to this Celticman. Excellent peice of writing. I especially like the way you don't spell things out too clearly
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Picked on this story because
Picked on this story because I like longer works. This is odd, and intriguing. Is the girl a ghost? Or are the jannie and his neighbour winding him up? Really well described snowy scenes without overdoing it. Looking forward to reading more.
Lisa
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Second read of this because I
Second read of this because I thought it was a short first time round. See we've got more and I'm going to have an hour now and see how far we get. Onwards and upwards. Love your description.
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Yep I've come back to this as
Yep I've come back to this as well CM to remind me of how it all began.
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Hi Celticman...( Tim )
Hi Celticman...( Tim )
Some very entertaining writing here. It's really easy to read and I found myself looking forward to the next wee gem. I mean phrases like,
>> thick cabled socks that looked as if they’d leave her skinny legs uncovered from knee to ankle as soon as she moved.
and >>I scanned the parked cars shaped into street art by falling snow<< These In my opinion are inspired. I won't list every one and I know it's chapter one, so... Onwards and upwards...
Weefatfella.
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Hi again
Hi again
Thanks for giving me the link for this. In a way, I'm glad I read the second chapter first, because I think it is a more compelling read. This one is good too, with some lovely phrases, already picked out by previous reviewers. I think maybe it is a just a bit too short. And although the second one is different, it isn't much different - the same snow, the same street names - slightly different adults around that he talks to - but much the same story. I do agree that in the first chapter he seemed pretty young, and then in the second, several years older. I was wondering where he was going - at 9 in the morning. You'd have thought if he was in a college or job, he would have been there by that time. He seemed so easy going with the little girl, I wondered if he had a little sister or two of his own. But still, there are dozens of more chapters to get through in order to find out these things. Best to leave the readers wondering so they come back for the next chapter, as I will.
Jean
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I advise all readers to start
I advise all readers to start here and read the lot. A truly gripping book from start to finish. And it isn't quite finished.....
I nearly commented on the first chapter right at the start and I did not as there were many intelligent comments made when I had read it. Wish I had now. My take on John was:
'To me, John seems like a confused lad, probably under twenty and quite likely more vulnerable than the girl.'
As for L, I am not ghost sensitive and did not grasp her at all. Until later...
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Such good writing, subtle and
Such good writing, subtle and intriguing. I was there in the snow, it was all my walks in the stuff, child and adult. Love it when that happens so thanks!
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I really liked this
the way you could hear the Scottish accent and rhythm, the mystery, the description of snow and how your voice changed when you talked to the little girl...... intriguing. x
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Wrong Impressions
This reminded me of that advert for The Independant newspaper. The skinhead running suspiciously along the street up to 'no good.' Then he saves an elderly lady from harm.
Judging by appearances & jumping to conclusions etc.
Good story.
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What a great beginning, the
What a great beginning, the everyday surreality of the slipping gradient of the road tipping the narraror into topsy-turvy land... and I love ghost stories. Even the lollipop man's pronouncements, after drink and drugs he specifies glue-- that's a nice detail. The voice exudes warmth, takes us by the hand too, draws us closer, that's what you want no fiddle-arsing about...
Have to catch up.
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