Literary Generosity

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Literary Generosity

I've a minor dilemma.

I offered to do the odd poetry review for some people. POD books. I've been sent the first one to do and it's... not really very good. It's one of those books by retired Americans who are 'passionate about poetry', but who have clearly never read any. Vague ABAB rhymes abound, and the odd acrostic poem just to be experimental. He also credits himself with inventing a cross between stories and poems, which he calls 'storoems'. The topics range from the recently tsunami (TSUNAMI!), to war (WAR, The Father's Go To War), to love (Happiness Is...). There are a disturbing number of poems about "a documentary I was watching on the TV last night".

I've got a feeling that the people I'm writing the review for are in the business of *helping* self-published authors. So I've got to be generous, and make it sound appealing to people who might be interested in this sort of thing. I'm kind of thin on ideas. Help?

Assume that the kind of people who might read are are the kind of people who might write it. People who like poems about war, tsunamis, happiness and documentaries on TV. Cheers, Mark Brown, Editor (on leave), www.ABCtales.com

 

Um, firstly, are you allowed to use a false name? There is something distinctly iffy about recomending work that you yourself don't like... (not morally or anything, but just, you know, your real opinion counts for something). How about calling yourself Jim Cricket and putting the following: 'From the armchair to overseas, X's 'storoems' offer an striking insight into one man's view of the world around him.' Oh God. You can't really do this can you Jack? I mean, you can't recommend something you don't really recommend, can you? I am worried for you. What happens if you start to think you like it because it's out there in type that you do? It will come back to haunt you. Like the time I wrote a feature on collecting Betty Boop figurines as if I was actually interested in it. *shudders*
Why are you doing this Jon? Unless they're paying you. If it's shit then say so, or better yet, say nothing. Surely a waste of your time? Joe
I have to say that they only review you should ever do is one you agree with...
You could try humility. Failing that, you should give the job someone else, someone who can do it without condescension. Visit my blog: http://whatisthisstrangeplace.blogspot.com/
That's exactly what I'm looking for, David. Cheers. I don't plan to be dishonest, but I must be positive. "You could try humility." Like that's got anything to do with it. Don't be pompous, Tom.
I've always been a fan of Dick Cheney's poetry.
I tried to think of the right word for what pissed me off about Tom's comment - "you could try humility." It was condescending - yes - but there was something else... pomposity. Thanks Jon. Joe
I thought he was suggesting a new washing powder. Try Humility, at only 30 degrees it'll make your trites triter than trite.
So I'm the pompous one, am I? I think the proof lies above. Talk about breathtaking assumptions. But I've long observed that trying to talk sense to you is a futile exercise. Your egotism and self-satisfaction are remarkable in one so young. I can't recall ever seeing you question your own statements or behaviour. I wish you much success. I reckon it's almost inevitable. Taxi! Visit my blog: http://whatisthisstrangeplace.blogspot.com/
Ah, Spack, and I don't even know you. Forgive me. Visit my blog: http://whatisthisstrangeplace.blogspot.com/
I just wanted to get my 'triter than trite' joke in somewhere - my opinion on this is that the only good reviews worth their salt are ones by people who actually think the work is good, rather than think up ways to make it good... I bet there are people who would like this person's poetry, who could come up with genuine praise... unless it's the Jack Cade name they require as a seal of approval?
I agree with that. The Believer only allow reviews where the reviewer has something good to say about the book. And Dave Eggers can't be wrong... can he? Tom - You're forgiven. It just struck me as a pretty snotty thing to say.
Yes, Tom, you are the pompous one. Pompous in assuming that my personal opinion of myself has anything to do with this, and seeing fit to tell me that I should change it. There was no 'egotism' or 'self-satisfaction' evident in my initial post. My opinion on the writer in question is from the point of view of a frequent reader of poetry. I very much doubt you would be more lenient, but that's not really the issue, is it? It's my age that annoys you. It's the young man evaluating the old man. I think you're scared - unjustly so - that somewhere there's some young character sizing up your own work in the manner I am in this case. You don't think they - and by extension, me - are fit to lick your boots, and it irritates you that they seem to hold a kind of of judgement over you. It doesn't surprise me that you're oversensitive and insecure, because I'm exactly the same, and I know age doesn't mean squat when it's in your character. And you are, after all, a very talented writer who has not had his fair share of success, due in some ways to age discrimination. So I guess it makes sense that it rankles you. But please refrain from personal attacks when you don't know jack about the person you're attacking. "my opinion on this is that the only good reviews worth their salt are ones by people who actually think the work is good" Gotta disagree with you, Ferg. I intensely dislike rave reviews from people who are mad about the author, or the work. To my mind, they're preoccupied with promoting the book, and don't give you information with which to make your own mind up. Ruth Padel recently reviewed Carol Ann Duffy's collection, and pretty much all she said about it was "the poetry is, of course, wonderful," the rest of the review being devoted to aimless ruminations in response to Duffy's topics. I think a good review should give people enough info to decide whether or not a book would suit them, as well as being interesting in itself. So I think I need to be honest about the lack of advanced poetry technique, but also discuss what aspects of the book the author hopes will appeal to people. Some people *do* like this kind of stuff, I'm sure. It's just stretching my ability to empathise. I like the idea of comparing reading it to spending time in the company of an amiable and thoughtful companion.
"The Believer only allow reviews where the reviewer has something good to say about the book." Ah, but is that the same as them honestly thinking it's good? I agree with that approach. Slating books is too easy. I just don't think it has to be someone who is crazy about the book.
I guess I worded what I said wrong... I said, "my opinion on this is that the only good reviews worth their salt are ones by people who actually think the work is good" What I should have said (and meant by the first one) was: "my opinion on this is that the only Good reviews worth their salt are ones by people who actually think the work is good." i.e... a 'Good' review - one that recommends the book and says it is good - should only have come from someone who actually thinks the work is good having read it. 'Good' reviews made up as 'good', even with an 'audience' in mind can be double-edged and not necessarily helpful. Of course, I agree with the idea that a good review - and one that is enjoyable to read and worth its salt - can be written by someone who isn't necessarily keen on the work...
hey but whadda I know. I used to work on a magazine where it was my job to recommend a 'gadget of the month' for would-be slimmers. Also, on the beauty page, companies would send in stuff, and they were the ones that got mentioned. I always thought that was a crock of spam - people reading these things think they are genuine recommendations. (I realise this has nothing to do with books, and shall be quiet now.)
I think what David said is a great example of how to go about it. I was just genuinely a bit lost as to what positive aspects to pick up.
Yeah - I just replied to that on the other thread, and I think you'll see where I got confused. Good luck with it.
When I used to write book reviews for the Big Ish, they'd subedit them without asking me, 'toning down' any negative comments. The editor's rationale was: 'Why are we giving space to books we don't like?' which is fine, but then if one person's selecting them and another's reading them, you can't expect that latter to always agree with the former. Anyhow, things reached standoff point when they changed a line that went something like: 'The story appears, at first, to be original, but turns out to be a clichéd spin on the old "cop with one last case before retirement" plot.' to 'The story appears, at first, to be original, but turns out to be a fast, pacy read.' Now, admittedly, my version was a bit of a mouthful, but the second is grammatically incorrect *and* completely contradicts what I said! I thought the book was crap! And guess which section the publisher's website chose to quote? "A fast, pacy read." Tim Clare - Big Issue
My flatmate used to get annoyed about them editing his film reviews in a similar way, especially when they mangled his sentences into unreadable guff (some kind of anti-editor at work?) Anyway, now he himself is the editor of the film section, so that's the way forward, Tim.
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