Critics! Reviews! D. J. Taylor!

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Critics! Reviews! D. J. Taylor!

Gah! Yesterday I bought the new Vonnegut book. It was quite expensive, but I love Kurt Vonnegut, and felt reasonably assured by the reviews I'd read.

But I've got to ask - why did no reviewer see fit to mention that most of the book is rehashed material? It's polished, and rewritten, but it's more of a 'The Best of Kurt Vonnegut' than a new book. I knew it was a short memoir, rather than a novel, but he's done stuff like this before, and it's *usually* worth it. I even had an indication, from the Guardian extract, that *some* of it was rehashed, but I can't for the life of me find a part of the book that I don't feel I've read before.

I suppose you can't expect critics to reread an author's every book before reviewing their new one, but nevertheless, I feel like every effort was made to dupe me. One quote on the back declares something like, "Thank goodness Vonnegut has broken his promise never to publish another book!" while another says, "Probably the closest thing we will ever get to a memoir."

Even the Guardian gave no hint that the story-graph experiment featured in their extract was first published as long ago as 'Palm Sunday', in the eighties. I know that most of the info surrounding a book on its release is marketing guff, and the majority of reviews are largely sycophantic, but I'm amazed that no one seems to have even suggested the idea that some of the book may be less than brand, spanking new. What a cover up!

Ha ha - is this ironic? You are having a go at reviewers while deliberating how to make a crap book sound good? Bravo! 'and felt reasonably assured by the reviews I'd read' - ha!
Sneaky badgers! I really enjoyed the extract in the Guardian. I sometimes feel like I've read Vonnegut books before, even when I know I haven't. I still enjoy them but there is a repetitiveness to his writing. Which is not at all the same as re-releasing old stuff... so I'll shut up. Joe
Aw, Ferg. I don't plan to be dishonest in my review - it's just a case of finding a way to be positive *and* honest!
I see that - there is a difference... or *is* there? That's what I'm wondering... I admire you want to make a positive comment on the poetry, but I'm also wondering if there isn't someone who actually 'likes' it who could make the same comment and really mean it. Am I being overly earnest?
I don't think they have time to hunt that kind of person down. I dunno. It seems to me there's something very flawed about trying to find a person who likes the book to write every review. Surely it completely does away with the idea of a critic as a job or career? I'd like to think there's a skill to being able to do a good review - that it isn't just a case of 'say what you see'. The ideal review should make the book sound interesting to people who will like it, while warning away people who will hate it. If you got someone to review this book who thought it was the best thing ever, all they'd do is try and convince you to buy it.
I guess it's a misunderstanding... I thought you were being asked to give a blurb under your name, to attract other readers... like a fake seal of approval.. but if it is a review with the readership in mind and not a recommendation, then I admit, there's nowt wrong with that and you could do worse than use bobblehat's earlier suggestion.
But if you have a whole magazine full of positive (not rave!) reviews then it leaves the judgement - would I like this? - up to the reader. You are just choosing between recommendations, which I like the idea of. Joe
But the problem then is that the reviewer can't really be a full-time critic because they have to wait until they really want to recommend a book before they can review it. And, to contradict myself, I do also like the idea of critic - not just someone giving their two pence - but a commited scholarly type in that high-minded Kermodian way. Kermodian. Joe
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