Lummy good, tum-tum and garbles - Spack

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Lummy good, tum-tum and garbles - Spack

http://www.abctales.com/story/spack/lummy-good-tum-tum-and-garbles

Je pense this is one of the best poems I've read on abc for a sizeable wedge of time - or one of my favourites, at least. Love the tongue-twisterly cockscrew flume of names and words - absolutely beautiful. The poem seems to take real joy in its use of language, and that, for me, is the number one quality a poem can possess.
Weak lines? Perhaps this couplet:
Foil tins in the garbage. Rib-less Prince
on a gargantuam bank note. Caution and Reneeze.
Felt 'garbage' was a little out of register. Didn't like 'caution and reneeze'. Felt the metre fell away a little here.
But the rest is sublime. I'd pick out individual lines, but frankly, they're all doubleplusgood.
Kudos, spackeroonie!

Ta muchos Timbo. I've snipped out that lame couplet like fat off a pork chop. Woop! Joe
Seamless. All killer no filler. Sir, you have raised the bar.
i have no idea what it is about?? Juliet

Juliet

This is supposed to be a poem for the ear, not for the old logic-box. More of a song than a poem, really. It has no meaning worth stressing about.
fair enough ty. Juliet

Juliet

It makes too much sense to me to be purely an exercise in sound. But then, I have read about fifty of the ninety-something Biggles books. 'Immelmans abound, Spandeaus rattling, "Zounds - Hun!" Ginger Heblethwaite ejaculated as the camel's matchstick ailerons went west.' As such, I can't help feeling I would benefit from a glossary, just to help everything to fall into place, although I suspect that since your aim was to produce a kind of nonsense-verse, it'll be quite a straightforward 'introducing the lads' narrative?
You got it, Jon. It was an introducing the lads by accident because I was enjoying those old school surnames so much. I imagined it set in a kind of Victorian circus/fairground. But primarily I was following my ear while trying to remain within a certain very British vocabulary. I wanted it to suggest 'sense' without actually having much underlying logic. Thanks for the comment, Joe
It's very interesting/arresting linguistically - would it be worth, do you think, extended it into a more sustained piece with more of a story at its heart?
Hmm, yep, that would be a challenge... when I've got a spare few hours I might give it a go. Thanks for the idea. Joe
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