Little Things From The Day

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from the ABC set Bits of String

In aisle seven a woman is making a scene.
The woman is shrieking.
Heads are turning and people are starting to stare from the corners of their beady eyes.
Shoppers with their trolleys are making U-turns to avoid the spectacle.
There is a collective embarrassment. We are not trained to deal with this. We're British.

The woman seems unaware of us, she is waving her arms about and small pockets of white foam have collected at the corners of her angry mouth.

I am ashamed. Just standing there watching. I'm not the only one, everyone else is staring but they try to disguise it. We cannot help but stare. I want to wrench my eyes off her but I can't.

The woman is pulling tins of soup off the shelf now and they clatter to the floor. Her breath is ragged as she reaches for more tins and slams them down with a flourish.

Two security guards are approaching from the frozen foods section. They look slightly nervous and one of them is muttering into his walkie-talkie.
The woman stops suddenly as though noticing us for the first time. She is all breathless and startled. Everyone is watching for her next move.

Like a sad balloon, the woman deflates. Right there in aisle seven. She lets out this long low moan and crumples amongst the dented tins.
She's sobbing, just sobbing. I don't think I've ever heard a more haunting sound.

Then something happens.
It's me.
I'm putting my basket down next to the lemon curd and jam and peanut butter. I'm walking to towards her.
Something in the atmosphere changes. All attention shifts to me. Like a cliche, time slows down. I can feel all this electicity inside me.

Getting down on my knees I circle my arms around her. I don't know how to coo or shush or soothe, I just hold on. She begins to hold on too. For a moment we share a sinking ship and just hold on for life. There is absolute silence. I wonder if the woman can feel the electricity too. My fingers rest against the knotwork of her spine. She is so thin I think she could slit my throat with her collar bone.

My eyes are closed but I see men in white coats coming for the pair of us.

Now, I do not, as a general rule, converse with people at bus stops. Nor do I chat to taxi drivers or make small talk with cashiers at tills. I do not entertain cold callers or travelling sales men. I do not hold doors open for people, wear a watch, carry a lighter or buy The Big Issue. I keep my head down; I do not smile at strangers and I definitely do not remark at the weather.

But here I am holding this woman on a Tuesday morning in aisle seven.

I get up slowly. My shoulder is wet. She catches my eyes, hers are all wide and deep and black. There is kohl all down her cheeks. I step back gingerly and tip my head down slightly, she sees and returns the gesture.
I didn't have any words I could have said to her. That woman didn't need words. Our head tipping was small, foolish, clumsy, childish...inept.

It was the most heart-felt thing I have said to anybody for at least three years.

I stalked back to my basket. Hunching my shoulders up to protect myself from all those silly English eyeballs. As the electricity faded, I turned to see the security guards help her up. Steering her by the elbow, they led her away. She made no protest and she didn't look back.

I scurried off to hide by the bread rolls before making my exit.

That was it. The most brave thing of all my days. That woman is here with me now. Wherever they put her, wherever she ended up, she is also here. I try to make up names for her but none of them seem to fit. I think of things I could tell her, little things from the day. Like when the cat tried to eat a bee and got himself stung, or the other day when I found a Canadian dollar and a plastic dolls head on the same park bench. I think she'd like my stories. I like to think she would.

Sometimes I think it must have been a dream. The woman, the electricity and our holding each other; these images are not like reality to me. There is no context or framework in my mind for them to slot into.
I don't do friends or family so I've no-one's opinion to ask.

When I visit aisle seven I usually pick up a tin of soup, often there's a dented tin and for her, I always take that one.

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Comments

celticman | March 29, 2009 - 22:30

Well done.

marionwozere | March 29, 2009 - 22:57

Thanks

Dynamaso | March 30, 2009 - 00:02

I find it sad when I read stories about people dying and not being discovered for months. This story evoked the same feeling in me.

2Lou | March 30, 2009 - 01:10

I'd say end it on, 'I always take that one.' Don't think you need the 'dream' bit at all.

If you're up for any other suggestions, my initial impression is this... there are some great images in this, but they're over-shadowed by some, imo, unnecessary 'writery' stuff. E.g. the 'iron-filings' bit (descriptive definitely but, I don't know... distracts somehow). The ones that really worked for me were, 'Like a sad balloon' and 'For a moment we share her sinking ship.' I feel that if the rest was written more sparsely - these little gems would have more impact.

Memorable read though, just needs an edit to do it justice.

~
www.fabulousmother.co.uk

Ewan | March 30, 2009 - 06:56

I agree you should dispense with the 'not a dream' ending. I understand where 2lou is coming from 'concerning' the writerly interventions; it's just that there is a separate voice quite distinct from this throughout the piece. The story would be even more effective if this remained consistent.

Your problem is deciding which parts to discard, of course. It is very good writing as it stands.

Good luck with your writing,

Ewan

ivoryfishbone | March 30, 2009 - 07:58

i really like this story. it feels fresh and packs a real emotional punch. i like the way that it is written in that clear, honest voice that really brings the reader alongside the main character so they are discovering what happens in the story at the same time.

there are some things i would tweak - i agree about losing the dream ending and finishing where lou suggests - i would remove 'for dear life' and 'slightly' with the security guards.

but this is full of really strong writing, i think. i am looking forward to reading more of your work

lenchenelf | March 30, 2009 - 09:20

Really like the way you've used a brusque brisk voice to convey the narrators social and emotional isolation (three years--------I don't do friends or family) makes reaching out to comfort another all that more powerful. Great read, atb L

marionwozere | March 30, 2009 - 13:35

Thanks everyone. I am way way chuffed and tres happy! All the suggestions are very helpful, it's funny because when somebody makes a good suggestion you can look at your work and wonder why you didn't see it before as it seems so obvious. The illumination of others hmmmmm. Bye x

marionwozere | March 30, 2009 - 13:40

Hoorah for life!

Silver Spun Sand | March 30, 2009 - 16:40

I'll second that and the well-deserved cherry! Much enjoyed.

Tina

bredhead | March 30, 2009 - 19:00

living in italy i can see this story from another prospective the difference between us english and them italians , how we are so cold and there is little interaction between strangers,a good read too i see some of me in there, i do not do friends or family too, when you read something like this it makes you question yourself maybe we should all go shopping tomorrow and hug a complete stranger!

marionwozere | March 31, 2009 - 14:48

ok bredhead I'll be the one in the blue scarf...

marionwozere | March 31, 2009 - 14:49

the comment that was here has vanished

bredhead | March 31, 2009 - 16:49

you should of changed the typing ribbon sooner....
blue scarf? is not traditional to wear a flower or a brooch??

sid | September 21, 2012 - 10:08

Love this. Something about the drama taking place in such a mundane setting seems to add to its poignancy.

'She is so thin I think she could slit my throat with her collar bone.'- absolutely brilliant line.

'There is khol all down her cheeks.'- I think it's spelt 'kohl.'

Thanks for a great read :)

marionwozere | September 22, 2012 - 10:43

Thanks Sid, yea there is definitely something about supermarkets and turmoil and poignancy. Thanks for the spelling tip-off! :)