Mynydd Carningli (for TP's parents)
By MJG
- 10337 reads
Bent double to lace dusty walking boots. Unused a year,
my hands yank familiar leather.
Our son ready on the worn green sofa, when I catch your glance,
packing waterproofs for September in Preseli Hills.
A cool mist will be around Mynydd Carningli.
I carry our darling gently out. Leave dried mud prints on the drive.
Jangle car keys, pass him to you.
Balanced on your knee.
In silence, the road spools through lemon-sharp light,
a heron slow-flaps an updraft
above a dead fox in the gutter.
We park and pay for the privilege of pilgrimage.
I lift him into the old backpack. Tighten straps. Snug as a bug.
The heft of him where he’d once rocked and kicked.
We head into soaked grass under skirling larks
choiring the Blue Mountain of Angels.
Wasps and midges circle; a hare bounds by Afon Nyfer
plush with salmon, sowin and trout; the diving flicker of a kingfisher.
Out beyond ancient woodlands, Bronze and Iron Age forts; the river bleeds into reed beds.
Oyster catchers and sanderlings pluck estuary mudflats tugged by the Irish Sea.
Up, where ragged crows and amber-eyed sheep; inhabit Stonehenge’s indigo rocks.
St Brynach once fasted here; shrived for serenity in sandals and sackcloth.
Our breath, in Gortex and boots, labours through scouring wind.
A veil of rain pours from bruised clouds cut loose across Cardigan Bay.
Where he’d thrilled at scuttling crabs and starfish in the palm of his hand,
while we built sandcastles and wiped his ice-creamed lips.
Grains of sand slipped through our hands then,
to these heather-pelted hills that melt and rumple.
Velvet lichen and moss, soft beneath our feet.
Shadows float over cairns while we pick a stone; lodge it,
careful not to crush fading flowers vased in rock,
or rain-felted messages, vaulted in memories crawlspaces.
Wind rises and threads us to where gulls peel into sky.
Upon glacial-smoothed slabs I gentle our son into my arms.
Unscrew the urn. Touch the oxidised grit of love.
Fling him to the wind-cradled sepulchre.
For a second, he is tugged, suspended.
Dust spirals away and loaded particles hail down:
a scatter-clatter that makes the hairs on my neck rise.
His dust seals my palms’ creases; blackens nails.
He feels close as the scent of his unwashed clothes as we cast him
to the shadow waltz of moon and stars over Mynydd Carningli.
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Comments
A beautiful place, well
A beautiful place, well described, which I know well, though this seems to have been a sad, poignant journey up. Rhiannon
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'Shadow waltz of moon and
'Shadow waltz of moon and stars'. Magic.
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There's no unemotional way to
There's no unemotional way to comment on this because it broke me. Deeply upset me. It's very considered - more so for its impact perhaps and the subject matter of loss - but I found myself scanning, almost rejecting the scenic lines to get to the little boy, to see what happened. Then I went back after the blow. Interspersing the environment with no mention of him, line to line, is very difficult to achieve and I think you should be credited for that. Memorial poetry needs to be momentous. I think this is.
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Very good. Sounds like a lazy
Very good. Sounds like a lazy teacher, especially when I read a comment like Vera's. She's said it all, bar the fact that you've captured something here, carefully, that needs to be bottled/ taken upon board the good ship.
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Oxidised grit of love... WOW.
Oxidised grit of love... WOW. Just simply wow.
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Through tears.
Through tears.
Beautiful, not just the words but the life that lay beyond it, inspired it.
Well desrving of the golden cherrire.
Lindy
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MJG
MJG
I echo Vera's comments on this sad piece.
As one who has lost a child this elegy touched me deeply
TP's parents will take solace in the reading
Kind regards
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There is some grief that
There is some grief that seems to have no beginning or end, but your beautiful poem created a shape for it and gave it meaning
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I ama big fan of your writing
I ama big fan of your writing and I like the way this builds, the contents of the knapsack, the ambiguous detail of 'he's on the old green sofa..' does that refer to the son's ashes or father? The fox with bloodied leg points towards premature death and ratchets up tension as does the memorial cairn... all the natural details are great but here is my penny worth-- I think that the natural details (athough wonderful) are unassimilated into the poem--- it is great when we have specific details about the child's ice creamed lips maybe that is the way to develop this piece. But can we make some link with St Brynach or the gulls and the process of grief, even an oblique one.
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What a deeply moving and
What a deeply moving and difficult piece of poetry.
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