The spade turns and the soil lifts.
Sobbing flows from my mother beside me. Parting words are issued by the man in authority, God is thanked for his good work, no irony intended. Restless feet shuffle, and a cold wind cuts its way through all present. A child cries, one of my younger cousins, though more likely through cold or the need to pee, for the child is too young to mourn.
Finally soil is released, confetti style, onto the coffin. I accept a steady line of commiserations, direct those that want to towards the pub, finalise the thank-yous with the vicar, take one last look at the flowers and am ready to go, more than ready for the beer that awaits.
The Stag. His local for thirty years. Took his money. Took his liver too. A fitting place for farewell, his memories live here as much as anywhere. And it remains his local, just five minutes from the cemetery. I buy a round with a wad I can’t really afford, but you have to don’t you. I pass beers and gins to anonymous passers-on behind me, and do the necessary with the notes and the barman.
Sandwiches circulate. Beer and gin are imbibed. Misery slowly slinks away, until the first laugh is heard, at which the tension disappears.
I circulate. Count cousins (nine) uncles (one) aunts (nineteen), family friends (seven) and total strangers to me (also nineteen). I talk to the strangers most of all. Mostly friends of my father. Mostly regulars. Mostly coming here anyway. And one couple, here on honeymoon, whom I had bought drinks by mistake, and who consequently feel duty-bound to talk to me. They pass on their condolences, I pass on my congratulations. We pause awkwardly, they both laugh, simultaneously, the way lovers do. I let them be.
I move on until all the family are greeted, thanked for coming, and allowed to utter their ‘I’m sorry to hears’. Most of them I only see at funerals these days. I’ve only ever seen cousin Will in the dark suit he wears for weddings, christenings and funerals, although he’s a butcher by trade. Would I even recognise him in civilian clothes?
Sandwiches are soon passed round and soon pass away. The sausage rolls also go with great speed, and the cousins, aunts and uncle all leave too, with a hug and a kiss from the women, blushing awkwardness from the children, and warm handshakes from the men.
Before long all the family have left. There is just me and mum. And the honeymooning couple, who insist on buying us both a drink. And the remaining six or seven regulars, who have in truth forgotten us anyway. The honeymooners join us, and excitedly tell us a secret, we’re the first to know, she’s just discovered that she’s pregnant. Don’t tell a soul.
The barman comes over with my father’s tankard. Kept for thirty years behind the bar. Pride of place. I accept the drink within it and so doing form a bond; with the tankard, with the Stag and consequently with my father.
Eventually we are ready to leave. I return the tankard to the bar, where it belongs, and am reassured that it is there waiting for me, anytime I happen to be passing. I walk home, supporting mother on my arm, the way dad used to.
We arrive back to an empty house.
Comments
Silver Spun Sand | October 25, 2009 - 18:15
I like this very much and could identify with much. Most of us have been here,at some time in our lives.
As I said, a good story well told, with an effective, ironic twist at the end.
Cheers!
Tina
DavidMcAuley | October 25, 2009 - 19:21
Great stuff - simple, honest and effective.
Enzo (not verified) | October 25, 2009 - 23:08
The short, sharp sentences and the matter-of-fact tone work excellently. 'Effective' is a word used by both Tina and David, and it pretty well sums it up for me.
The cousin Will bit was particularly well observed.
The only bit that jarred for me was 'confetti style' release of soil. I only mention it because the piece felt so word-perfect otherwise. In any case, it's not bad imagery and others may well disagree so I'm not suggesting you remove it.
Good stuff & well worth the cherry.
Ben
PS The first line put the song 'Hallelujah' in my head for the rest of the piece. Was that intentional?
Terrence Oblong | October 26, 2009 - 00:23
Interesting comments, thanks. I've no idea if the confetti style line works, I will come back to the story with fresh eyes and think about it.
I would cite RS Thomas as an influence for the story (and indeed the title) which is where I would place the idea for the first line, though I can't answer for my subconscious, I am a fan of the song.
PS - a big thanks to the Big Issues for introducing me to this site.
Frances Macaula... | October 26, 2009 - 03:31
Thoroughly enjoyed this... well-deserved cherry. Tony has an excellent eye - I enjoy cherries because they introduce me to new (to me) writers!
Is the title 'Funeral' or 'The spade turns and the soil lifts.'?
I prefer the second because it's poetic (and therefore far more interesting to me) and like the beginning which hooked this reader beforen settling into a conversational style.
Great story construction and delivery although I question the last line: "We arrive back to an empty house" which I feel is superfluous.
In my humble opinion, if you end on "...the way dad used to" the reader is left with a more powerful impression and the cirle of storytelling is complete by coming back to the subject.
(Please let me know if you'd like a closer reading of this for editing suggestions.)
A most enjoyable observation which was very relatable; thank you for writing it. Now I'll have to read your other pieces... Tony's got me hooked!
Best wishes,
Frances.
Lucifer | October 30, 2009 - 01:43
Nice work,could relate to it,enjoyed the read.
Scout | November 6, 2009 - 23:06
I really enjoyed this and admire how the deceptively simple prose conveys so much emotion. The references to the honeymooners was also a nice touch and I like and how their awkwardness and energy complements the wider events. I assumed 'confetti style' was deliberately ironic and uncomfortable and perhaps the last line could be left out, depending on how you want the last note to sing out, however I quite like how the line heightens our emotional responses and highlights the sense of loss. A thoughtful and beautiful piece that leaves a lasting impression.
Thanks.