An Extract from 'Life with my suitcase' by Edgar Whitter

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An Extract from 'Life with my suitcase' by Edgar Whitter

http://www.abctales.com/story/edgar_whitter/an-extract-from-life-with-my...

Hmmm, I'm not sure where I stand on this one...

I think there's some interesting things here, and a swashbuckling romantic romp shot through with a spike of sadness that I'd like to read, but at the moment it's not there in the text.

"I had my manuscript tucked away in my leather satchel. Had I really come to Paris to be a novelist? It seemed like such a clichéd thing to be doing."

I can't work out whether the rhetorical question is in itself a cliche, which then makes this a cliche about pointing out cliches...

I'd like to see this in the third person rather than the first. I'd like to read ABOUT a pretentious young writer and his adventure, but I'm not sure I want to hear a pretentious young writers account of his adventures. The young writer in this case being protagonist, not Edgar.

There's a lot I like, but not in the present form it's in. I want to experience and imagine what's happening rather than having a narrator that sardonically comments on it, telling me what to think. All the stuff about Bunuel and Paris being a city of whores: Great stuff to have someone in a story think, but I think it needs to be 'given' to a character to say or think in relation to what's going on, rather than have it hanging in the narration.

Any other ideas?

Cheers,

Mark Brown, Editor (on leave), www.ABCtales.com

I agree with a lot of what you have said, i have read all of Edgars work so far, and this to me was the weakest (though i think he has a great style). I hadn't thought about the fact that it was written in first person, his other stuff isn't. Sound advice, though i would like to hear Edgar's point of you as to why he chose 1st person. Juliet

Juliet

Hi, thanks for the comments regarding my extract. I was greatly inspired by James Joyce and this work dates from about four years ago when I was going my final year at college. I wanted the whole stream of consciousness thing going on which I really love. Joycean scholars or people familiar with his life will notice the Galway, Ireland reference. I agree with Mark about the whole cliched thing but that arose from the whole historical perspective of writers being attracted to Paris because it is a haven for poseurs and wannabe writers just as New York, London and Dublin. The setting of Paris is significant and I will include other extracts or I might include the whole 17,000 word story/novella if you would like to read the whole text. Thanks for the comments, its better you have an opinion of my work than not!
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