Island Hideaway 13 - Purple shirted hand-jive goth girl
By Terrence Oblong
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She wore a purple shirt and did the hand-jive to goth music. Needless to say, it was love at first sight.
Barons on a Thursday night was the place to go, for the likes of us anyway. Most students went to Ritzys, a tame disco-get-pissed-get-laid, but Barons was Indie Night, at a time when indie nights were as rare as hens’ dentists. We went every week, we being Eddie, myself, Kaz, Mo and people from the radio station.
We half-danced-half-moshed to whatever was playing, even Oasis if we had to, culminating in the mindless-mad-mosh-mayhem that was the Smiths segue, which was generally the last 15 minutes of the evening, the 15 minutes we all lived our lives for. This was the early 90s when music was worth the effort of walking round with ears on your head, these days, frankly, I only keep 'em for me glasses.
Clubbing's not really my thing, you'll be unsurprised to hear. I enjoyed the music, it was my sort of music, but I didn't enjoy not being able to hear a thing anyone said and the evening-long-mime that everyone performed in the hope of being understood. 'Do I want a game of darts? Oh, a drink, you don't need to use quite so much elbow, emphasise the wrist movement, I said you don't need to use quite so much elbow - oh, sod it, thumbs up, smile, yes please, a pint' (points to empty pint glass).
It was at Barons that I first saw her. It was during a goth segue so we'd all left the dancefloor for the bar. It was while I was waiting to be served, as I did a quick scan of the club to see who was where, that I saw her. She was wearing a purple shirt and she was doing a hand-jive to the new Cure single. It was love at first sight.
I returned to the dancefloor but by the time I got there there was no sign of her and I suddenly realised that I on was on the dancefloor surrounded by goths with goth music playing, like a scene from a bad dream.
However, this wasn't a dream, I was here by choice, here for a purpose. I began to hand-jive.
I sort of hoped that my hand-jiving would bring her back to the dance floor, like some bizarre mating dance, but she never came and I left soon after, there's only so long you can stand in a crowd of goths doing the hand-jive to Bauhaus.
I looked for her for the rest of the night, brain on overtime thinking of things I could say to her and the suitable mimes to accompany them, such as 'I couldn't help but notice that you were doing the hand-jive to goth music'. But the moment never came, she was gone.
I spent the whole of the next week walking round in a puppy-love-haze, hoping she'd be there the following Thursday. She wasn't.
The Thursday after that I kept looking round the club, trying to spot her, but there was no sign of anyone in a purple shirt. She probably wasn't a regular. It might be the only time in her life she'd go to Barons. She might not even be from Swansea, she could have been visiting friends. I might have missed my one and only chance, like an astrologer who slept through the passing of Hayley's comet, like a god who slept through the big bang.
My mood was low, and then the goth segues started.
I kept close to the dance floor (but not too close) looking out for her.
And there she was. She was wearing a purple shirt, of course, was there any other.
I quickly joined the goth throng and began to hand-jive to the Fields of the Nephilim. To my delight, she began to hand-jive with me. We hand-jived on, through the Sisters of Mercy, The Mission and Alien Sex Fiend.
After the goth segue we went to the bar. We shouted at each other briefly, to no avail, then reverted to mime. I gathered she played darts, or possibly wanted a drink, why do people mime that so badly, it's all about the wrist action, you're miming supping a drink not beating Phil Taylor in the World Finals.
Somewhere amongst the shouting and miming I got a name, Sarah, but that was all. We danced a bit, we drank a bit, we shouted to no effect, we mimed and before you knew it was Cinderella-hour.
She had to go. She had friends/hand puppets/out-of-control-ferrets - her miming was deplorable. She wrote her number on the back of my arm with a biro.
I was overjoyed. I was in a daze. Life couldn't possibly get any better than this. Then life got even better, a bicycle-puncture-incident on a hillside announced the arrival of the Smiths segue. Legs, get ready to dance down to your knees.
17 minutes of blissful mindless dancing. I was a sweaty, happy, dizzy, mess as we staggered out of the club. I had her number. I had her number written on my sweaty arm, the arm with sweat and sweaty ink gushing down it.
Shit.
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Comments
Oh yes.
Oh yes.
The music takes me back.
And as it happens I've seen The Cure twice in the past two years. At their 40th anniversary in Hyde Park. And then in Glasgow in the "summer".
But I like this not only for the mention of The Cure
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I love this on so many levels
I love this on so many levels (well, two. Or maybe three.)
It really evokes those nights in those places and THE girl/boy.
It's replete with allusion enough to put Eliot's head in a whirl.
It's hilarious. Phone number on the back of my arm: from what beautiful parallel universe was that one plucked?
Ok. Three.
Parson Thru
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oh that ending... this is
oh that ending... this is quite different from anything else I've read of yours Terrence (though I can see influences of other things you've written). Is it a new departure, or just a style you've never posted here?
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Pick of the Day!
Marvellous as a stand alone read, even better when read with the rest of the series. This is our Facebook and Twitter Pick of the Day! Please do share/retweet if you enjoy it too.
Picture: Pixabay Creative Commons
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