Capturing Beauty
By Bee
- 8748 reads
First, I paint on masking fluid,
dragging and flicking to splash needles
where goldfinches nestle amongst the thistles
drawn in faint HB, each waiting
in anticipation of the vibrant
and the subtle tints to be applied.
I decide on a No. 2 brush and a No.10,
wet the surface to be worked on,
then blending cobalt blue with burnt sienna,
I shade in a touch of ultramarine.
Next come umber shadows,
and I use chrome yellow and black and white
for the flashy markings of the wings.
For the back-view bird,
I mix the faintest purple, which I blend
with thinned sienna to produce a pale brown.
To soften hard edges, I wash in extra water
and with dry brush, procure the appearance
of feathers, spotting on
some darker flecks of brown.
Painting on a little yellow
where the red will be applied ensures
the brightest shade. And now
I use a finer brush to bring in sharper detail
before a glaze - transparent wet on dry.
Peeling off the masking fluid,
I wash in the hazy mists of thistles
in pinks and mauves and muted greens.
These form a background where unaware
the finches flock to feed.
I do not indicate the net -
so fine, the birds will be deceived;
their freedom soon forgotten -
they'll want for nothing, and I think
they'll be quite happy in a cage.
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Comments
The contrasting meaning of
The contrasting meaning of capturing beauty does not hit one until the final stanza. The endeavour of drawing and painting the goldfinches in their nest is explained in fine details and we marvel at the workmanship and sensitivity, only to be disillusioned by the artist's lack of soul believing that the birds would be happy fettered in a cage. A well crafted and challenging poem, Bee.
Luigi
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I loved the artistic detail
I loved the artistic detail (of which I am very ignorant and totally inexperienced) in this earlier, but thought I must come back to decide quite what was going on at the end, but Luigi's comment has made me look back, and think 'Oh why didn't I see that so clearly before!' and I do agree with his comment, and the suitability of the title. I remember in school, I would stare blankly at Shakespeare and we had rather a dragon of a teacher, but she would just say a few words and all would be clear. I'm just rather slow. Rhiannon
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HI Bee
HI Bee
Beautifully described and rather sad in the end bit.
Jean
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I demand to know why this
I demand to know why this poem has not been awarded cherries!
Fabulous, Bee. Your work never fails to delight. This is one of your best, I think - but that's saying something.
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This is beautiful with a
This is beautiful with a touch of the horrific. So well crafted Bee.
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Here you go, Bee. Best I can
Here you go, Bee. Best I can do...
https://www.google.co.uk/search?hl=en&site=imghp&tbm=isch&source=hp&biw=...
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Well-deserved!
Well-deserved!
Sour cherries are good for gout, so I understand, because they lower uric acid in the blood (well, wouldn't you know!) These ones wouldn't be any good. Late cherries are sweet!
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Lovely, Bee.
Lovely, Bee.
I used to know someone in Leeds who used to draw some of the most beautiful pen drawings of animals I have ever seen. I had a couple - long lost. He lived in the attic of a house in Victoria Road, LS6 and was a smack addict. He was such a lovely person in a world that was full of shits and users. I wonder what happened to him. Your poem awakened that whole memory.
Parson Thru
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Bitter-sweet sums this one up
Bitter-sweet sums this one up, Bee. So colourfully written, and then that short, sharp shock of the last stanza.
Amazing.
Tina
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Delightful and amazing, bee.
Delightful and amazing, bee. That last bit really took me by surprise. I like when that happens.
Rich
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