Everything to Prove to the World Something: Selected Verse and Lyrics 1
By Carl Halling
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A Cambridge Lamentation
This place is always a little lonely
At the weekends...no noise and life;
I like solitude,
But not in places
Where's there's recently been
A lot of people.
Reclusiveness protects you
From nostalgia,
And you can be as nostalgic
In relation to what happened
Half an hour ago,
As half a century ago, in fact more so.
I went to the Xmas party.
I danced,
And generally lived it up.
I went to bed sad though.
Discos exacerbate
My sense of solitude.
My capacity for social warmth,
Excessive social dependence,
And romantic zeal,
Can be practically deranging;
It's no wonder I feel the need
To escape...
Escape from my own
Drastic social emotivity,
And devastating capacity
For loneliness.
I feel trapped here;
There's no
Outlet for my talents.
In such a state as this,
I could fall in love with anyone.
The night before last
I went to the ball,
Couples filing out,
I wanted to be half of every one,
But I didn't want to lose ***.
I'll get over how I feel now,
And very soon.
Gradually I'll freeze again,
Even assuming an extra layer of snow.
I have to get out of here.
All the Rivers of Tears
I feel at one with sweethearts
Through the years,
With the wartime lovers
Who went overseas,
All the shattered hearts,
All the rivers of tears,
I feel them all.
Verses of love,
Lovers who must part,
Portraits of love
Worn so very close to the heart,
All the lovers lost,
Loves that never even start,
I feel them all.
A Multitude of Woes
As a young man,
I was always obsessed
By melancholy.
I saw deep sadness,
The quality
That so tormented my heroes,
Such as Arthur Rimbaud,
And Montgomery Clift,
As glamorous and romantic,
But it’s not…
It’s not remotely romantic,
When you yourself are adrift,
And weighed down,
By a multitude of woes.
An Actor Arrives at the Bristol Old Vic
I remember the grey slithers of rain,
The jocular driver
As I boarded the bus
At Temple Meads,
And the friendly lady who told me
When we had arrived at the city centre.
I remember the little pub on King Street,
With its quiet maritime atmosphere.
I remember tramping
Along Park Street,
Whiteladies Road and Blackboy Hill,
My arms and hands aching from my bags,
To the little cottage where I had decided to stay
And relax between rehearsals,
Reading, writing, listening to music.
I remember my landlady, tall, timid and beautiful.
Babycham Deers and Romantic Lands
South Pacific, Jiminy Cricket,
This world
I tried to gain access,
I tried to write
A book
That would capture
All my happiness,
Full of romance,
Life that was enhanced
By beauty and love,
Carousel and Disneyland,
Babycham deers
And romantic lands,
These patterns I wove.
The Girl Who Said Hello the First
If I wasn’t sure
Of all the nostalgia
I’d endure,
I would wish to explore
Some of those moments again.
How your mummy, she knew mine,
They’d been friends
For a little time,
Like the time that you explained,
Your first name, it was Jane.
I really loved you, Jane,
Though you only gave me pain,
You were the girl
Who said hello the first,
But it only ended for the worse.
In our local swimming pool,
I swam so close to you,
Did you smirk
To your bob-haired friend,
Between the deep and shallow end?
So I just shyly slinked away,
Feeling such a fool that day,
Pet Clark reinforced
My bitter woe,
Singing My Love on the radio.
I really loved you, Jane,
Though you only gave me pain,
You were the girl
Who said hello the first,
But it only ended for the worse.
The Compensatory Man Par Excellence
I seldom indulge in letter writing
Because I consider it
To be a cold and illusory
Means of communication.
I will only send someone a letter
If I'm certain it's going to serve
A definite functional purpose,
Such as that which I'm
Scrupulously concocting at present
Indisputably does.
It's not that I incline
Towards excessive premeditation;
Its rather that I have to subject
My thoughts and emotions
To quasi-military discipline,
As pandemonium is the sole alternative.
I'm the compensatory man par excellence.
Deliberation, in my case,
Is a means to an end,
But scarcely by any means,
An end in itself.
This letter possesses not one,
But two, designs.
On one hand, its aim is edification.
Besides that, I plan to include it
In the literary project upon which
I'm presently engaged,
With your permission of course.
Contrary to what you have suspected
In the past,
I never intend to trivialise intimacy
By distilling it into art.
On the contrary, I seek
To apotheosise the same.
You see...I lack the necessary
Emotional vitality to do justice
To people and events
That are precious to me;
I am forced, therefore,
To at a later date call
On emotive reserves
Contained within my unconscious
In order to transform
The aforesaid into literary monuments.
You once said that my feelings
Had been interred under six feet
Of lifeless abstractions;
As true as this might be,
The abstractions in question
Come from without
Rather than within me:
My youthful spontaneity
Many mistrustfully identified
With self-satisfied inconsiderateness
(A standard case of fallacious reasoning),
And I was consequently
The frequent victim
Of somewhat draconic cerebrations.
I tremble now
In the face of hyperconsciousness.
I've manufactured a mentality,
Riddled with deliberation,
Cankerous with irony;
Still, in its fragility,
Not to say, artificiality,
It can, with supreme facility,
Be wrenched aside to expose
The touch-paper tenderness within.
With characteristic extremism,
I've taken ratiocination
To its very limits,
But I've acquainted myself with,
Nay, embraced my antagonist
Only in order to more effectively throttle him.
Being a survivor of the protracted passage
Through the morass of nihilism,
Found deep within
"the hell of my inner being,"
I am more than qualified to say this:
There is no way out
Of the prison of ceaseless sophistry.
There are many things I have left to say,
But I shall only have begun to exist in earnest
When these are far behind me,
In fact, so far as to be all but imperceptible.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was thrust upon me.
Everything I ever dreaded being, I've become
Everything I ever desired to be, I've become.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was thrust upon me.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I'm the compensatory man par excellence.
Ethanol Thief of Youth
Auto-annihilation is stupid,
It breaks hearts.
And ruins lives,
I hate that I was ever self-destructive,
I rue the day I became entranced
By its shadowy charisma,
While alcohol spoiled my life:
Poor Jo-Jo was right
To warn her cherished daughter
Of its insidious malignancy.
I was one of the felicitous ones
In that it didn’t entirely destroy me,
But despite its lack of glamour,
In comparison to
other more romanticised intoxicants,
It’s among the most lethiferous of drugs
That stole from me
What remained of my gorgeous youth.
Or Happier At Least
I was happy,
TV nightly,
As a family,
Simple pleasures,
Any Umbrellas,
Family holidays,
I was happy,
Perhaps the world was happy,
Or happier at least.
For a Long Lost Espanya
O how
Ruefully I pine
For a long lost Espanya,
What I wouldn't give,
To be young again...
And happy as I was back then...
Maria, full of peace,
Do you remember
Francis Albert
Sing songs of Tom Jobim
That mournful afternoon...
Happy as you were back then...
O for
That wide-eyed
Impression of yours,
Paquita La de Murcia
Of your beloved Marilyn...
Happy as you were back then...
O how
Ruefully I pine
For a long lost
Espanya,
What I wouldn't give,
To be young again...
And happy as I was back then...
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