The Snowflake Collector – 8: It Was, in Every Imaginable Sense, a Disaster
By FREI
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No matter how Yanosh tried, no matter where he looked and what he put in his search field, the world did not seem to possess for The Snowflake Collector an answer. Innumerable were the sites and video clips that explained how to preserve snowflakes on microscopic slides or small sheets of acetate, using either – as he had been doing – superglue or hairspray or an artist’s fixative; and they all arrived, going by the evidence Yanosh could find, at results similar to the ones that The Snowflake Collector so far had reached.
But this, Yanosh knew, for The Snowflake Collector had told him, would not do. He would need, The Snowflake Collector had said and determined to a degree that to him was now irrevocable, a way of collecting his snowflakes in the fullness of their dimensions. And while it may have been the case that in their majority these snowflakes seemed, at first glance, so flat as to fit neatly within a thin layer of superglue trapped between two small plates of glass, The Snowflake Collector knew that this was nothing but a deception. A deception and a crass simplification by the lazy mind. In reality, all these snowflakes – even the flattest among them, but most certainly those that came in the shape of short studs or even, as often they did, in a formation of nearly flat hexagonal structures enjoined with or indeed by short column shaped ones – were miniature crystals of infinitesimal complexity. To squeeze them between two glass plates and store them flat in a wooden case, no matter how carefully crafted, was, to The Snowflake Collector, as looking at the world and declaring it a disk off the edge of which one might fall…
The Snowflake Collector knew, then, that he would have to develop his own substance. He would have to acquire some knowledge and applying this knowledge he would, through a process of trial and error and elimination, have to come up with a liquid, a gel that would have just the right consistency, that would be clear as glass and that would dry, at habitable temperatures, with untarnished translucence and that would keep the shape and the intricacy and the character of the snowflake he would encase in it, in three dimensions, for the relative eternity he or any other human being could envisage; not an eternity, then, perhaps, but a lifespan of civilisations, the extent of a physically appreciative intelligent presence on this planet.
A deep crisis of confidence soon engulfed him. For Yanosh’s research online remained fruitless. The Snowflake Collector now even undertook his rare and adventurous journey two or three times, by yellow bus and little red train and larger green and white train along the lakes into the biggest of any of the cities in his country and to the enormous library of the university there, to study the properties of chemical solutions at different temperatures and their reaction to coming in contact with ice. But hours and days and nights and weeks and months of labour both in theory in the city and in practice back at home in his valley did not yield up to him any liquid or gel or substance of any kind that would catch a snowflake and leave it intact and absolutely unharmed, suspended in a glass cube in three dimensions, one inch by one inch by one.
The Snowflake Collector sensed the end of the season draw near and with it he felt the abyss of despair once more gaping up before him, calling him to fall, drawing him close to surrender, willing him to give in. He did not feel, The Snowflake Collector, that if in this undertaking, as in so many others before, he failed, he would find the strength, the courage, the spirit to pursue it again next winter. Or any other endeavour. He was now, he felt certain, exhausted, spent. He had given the universe his all and the universe had, once more, rejected his offering. Yet again, crushed by defeat and destroyed by his own, maybe lofty, ambition, he had exerted himself, but he had not excelled. It was, in every imaginable sense, a disaster.
The snow melted. The stream where he had a small plot of land on which he planted two young fir trees for each mature one he cut down had already swollen with the water from the fast disappearing masses of white that had covered the meadows and the sharp inclines of the mountainside, and The Snowflake Collector was no more. He had ceased to exist, his purpose evaporated like the miserable puddle of water left on the window sill from the erstwhile snow, with the warm morning sun. The devastation was drawn into the furrows of his troubled forehead, and when Yanosh now came to sit with him outside his hut, their silence was one of sadness and loss.
The stale stench of failure now clung about him, The Snowflake Collector sensed, and he felt despair not just for himself but also for Yanosh. This friend. This loyal lad, still growing up, still becoming a person. Had he not let him down terribly too. Had he not drawn him into his project and made him a part of it and did the ruins of it now not lie scattered before his innocent eyes, his young heart cut and bleeding; for what? For a delusion? A whim? A fantasy? A false and forever frustrated illusion that there could be such a thing as meaning, as purpose, as friendship, as love?
Tears ran down The Snowflake Collector’s face and fell on the cold folded hands in his lap and he felt he was already dead. Yanosh could not bear to look at him. But he sat still by his side and bore with him his pain. And thus they remained, awaiting in silence the dread bounce of spring.
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Comments
'the bounce of spring...' just what the depressive hates. This comes from a strange, still zone and has a clear fabular quality. Intrigued about what the snowflake represents and how you might develop the drama-- I like the stillness of the piece and the search for the perfect preserving agent
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