The Streetlight at the End of 42nd
By HaiAnh
Fri, 17 Oct 2008
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1 comments
The Streetlight at the End of 42nd
After Hopper
Restless, I have seen that look before.
There is some midnight plane mocking her
as she folds arms around herself, crab-like, an unmade shore,
sat as a sunbather suddenly remembering what’s in front
of her, streetlamp light, pumpkin-yellow,
pooling in the sheets.
Sure, I know it well.
She is tilting her ear to the worn
pebble vowels of a drunken street song,
trying to stay away from the thought of her head
slumped to the bottom, hair spread, swaying
kelp-like, in an old bathtub.
Yes of course, why have a window
wide open in winter with no intention?
If she wasn’t going, she would lay back, rest.
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Comments
I'm sure this is no help at
I'm sure this is no help at all, but I liked the shape of this on the virtual page, so in that odd way I suppose some additional ekphrasis is in play. I love Hopper, the underside of Middle-America; an antidote for Rockwell, if you like.
There are some lovely images in this: stanzas two and three were particularly fine. Worn pebble-vowels (should be worn-pebble vowels???)is excellent.
Nice poem.
Ewan
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