Door in a Field

It’s not so dramatic, of course - the door was in a field,
the middle of a huge field, just there in its frame, slightly
ajar; and so unwelcome guests would leave quickly,
the broom tucked in the groove left for hinges
to feel their weight; creak, loosen,
and sense some movement in the breeze,
because there was a breeze in this particular field,
and I knew it was a field because it was green,
not black and white like in the dreams people have,
not in colour either, or there would have been sky, some trees,
- and cows would have appeared chewing the cud,
- and although this now has already happened,
- and other things too, people running around
from tree to cow, building things, having revolutions,
I left the door right there slightly ajar, and watched
from a wicker chair like Van Gogh's, upset
with how the field is so easily cluttered with trees,
cows, and people running round in circles
when I thought what I wanted was a clean frame
to imagine irises like he painted
by walking backwards away from canvas,
or seeing you walk through the door, looking just fine,
carrying some shopping bags from your favourite place
somewhere in the green field that I was on the very edge of,
wondering where the door had gone, and why I was
sitting by the banks of the same river watching the litter pass,
scuffing my trainers on the brickwork, waiting for the ferryman,
trying to cats-cradle beams of light

©mar27/08