Made you into a River
By Stephen Thom
- 9484 reads
Sam dragged his palms across the corners of his eyes and pulled himself out of bed. Leaning against the window, he watched thick globules of rain smearing against the pane. White fog draped over the sky, puffy flumps trailing waxy tendrils. She had been crying again most of the night, muffled sobs, on and off.
Reaching to the bedside table for cigarettes, he eased one out and left it dangling in his mouth, caught again in the glassy square of spattering rain and muddled cream sky. Then he turned and looked at the bed, the slight depression in the pillow on the right hand side where her head usually rested. Needle droplets drilled at the window pane behind him and her thin face was there for a split second, wild-eyed and gasping for air. Then it was just a sunken pillow again. The unlit cigarette fell from his mouth and he was running through every room in the house, banging on doors, shouting her name.
Her frail form dangled from the rope twisted around the pipes in the ceiling of the cellar, a red pool gathering on the concrete floor under each cut wrist.
*
<We came to this river often, when we were happier>.
Meet me again by the water, perhaps she would have said. Why would you not leave a note? Still, it seemed to have a thematic, lyrical quality; the sentence bent around his brain, destructuring itself and seeping into his subconscious. If you know that person well enough, you could take a stab at recreating their final thoughts. You could try to imagine what they were thinking at that exact point, regardless of the circumstances or situation. Perhaps this was what breaking up your own body was about, to rebuild it in another way? There was nothing to suggest that you are as capable and fulfilled in this sweating, peachy mass as you are in any other medium.
Sam knelt by the river and ran his fingers through pearls of onrushing water. The cold bit his skin and crushed that frame of time into a single, replayed image. The water had the substance of a plastic bag handle in that moment, he could lift it up; lift the whole river along with it, carry it off like a sheet of tarpaulin. But he was always crouched down, intent on his project; a new project, a rebuilding.
Removing a small, sharp knife, he began hacking at his own arms, wincing and dipping them under the surging sheets. Red ink exploded in fluffy maps and dissolved into the current - Sam was compelling her to be there again if even just for a moment, willing her to absorb this into her own form.
He shook his head and spilt fast, urgent memories to accompany the real substance: saw your short dark hair from behind down the hall couldn't think of anything to say hack / hack / I loved you then and I still love you now despite all this pain you have passed on to me / hack.
And then she was there, the frothing water glistening on his ruined forearm and solidifying. She was cold and fresh and impatient to play with the budding existence he had given her, but she was also everything she had been before and at all times; he willed her not to leave him again - at least not just yet slice / slice / don't leave me again I am more a product of what I absorb every day / and I'm certain I have to be with someone to be happy
Your mind can convince you that what you are doing is entirely right, and the way you are thinking is exactly the way you should be thinking--your nervous system is connected to your brain etc, etc. Sam saw this oncoming torrent as a myriad combination of her thoughts; they crashed over his torn arms and fused, carrying him with them and choking <I am sorry but I didn't want to be that sad anymore>, gathering enough slippery, gelatinous, watery substance to show her covering her face with her hands.
He didn't mind, not at all; he was busy swimming with the tide, conjuring up saccharine versions of what he felt she should say if she could; kicking his feet and letting all these different filmic moments they had experienced wash in and around him: place the ring on your finger / went out to meet you at five o'clock in the morning after you'd been out you were so drunk and all you wanted to do was talk / slice / (slower, less frantic now as they collided)
I couldn't possibly have been happier, this place was beautiful for a very simple reason: we were together.
What do you mean you didn't want to be that sad anymore?
You're happy when I'm happy.
No, that's not unhealthy. This water is a natural extension; it flows, it's what's supposed to be happening.
She splashed clear water in his face and swam on ahead, the same dark hair fanning out in the rhythmic swells around her. He kicked his legs extra hard to catch up - I can't let you go this time, I can't let you out of my sight for even a second.
For several beats the two of them rotated, spiralled and wove; submerged in their underwater world. As she glided through the milky fluid, trying to flee, she mouthed bubbles; <it wasn't beautiful, it was terrible and you contributed to that, I blame myself and I am responsible for my own happiness but you played a part. It doesn't make a difference where or what I am, I would always think the same way. You can't remould me and put the time we had together on a pedestal now that I'm somewhere else>.
Sam floated face down, clouds of red bursting out around him to blend into his river.
***
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Comments
You describe these horrble
You describe these horrible actions with such beautiful wrds, there is a lightness in your writing even though the subject is so dark, it matches the way the characters slip away and are so illusive. I love the notion of flipping the river over.
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Mixed with grief's delusion,
Mixed with grief's delusion, there's a sense of hard reality in this. Suiside is such a hard loss to come to term with, and his death would be viewed by others as either, him not being able to cope with the grief, or him wanting to be with her, yet here, it seems (to me), that he is just trying to bring her back - recreating her by getting her attention in the only way he can think of. The fact that he has to keep going to keep her there ends it for him. He knows her so well he can hear her, would be, words as they come to him, and even though he is the one conjuring them, they aren't what he wanted, or expected to hear, and sadly, it was all for nothing. I like the delicate and poetic description in the writing, which is both interesting and thought provoking, with some beautiful images - like her hair fanning in the water.
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Hi Stephen
Hi Stephen
Such a sad story, but beautifully written.
Jean
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I really enjoyed reading this
I really enjoyed reading this! The idea was great, and I loved the sense of self-doubt and then reassurances as he cut himself. I also liked how you switched to first person so you could hear his thoughts throughout the writing without saying "_______, he thought". The only thing I would suggest is somehow incorporating him slashing himself without just writing slash/hack/slice. I understand that it's an easy way to incorporate it without it ruining the feel of things, but if you could find a way to include it differently I think that'd be good. Then again, this may just be how you write, or intentional to make the words stand out and more rigid. Anyways, it was just a thought. Well done!
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love is great, but you hack
love is great, but you hack away at it here and lead the reader to a watery grave. I'm not sure why you use backslashes/ but hey nobody's perfect.
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This is great Stephen, I was
This is great Stephen, I was completely drawn in to the complex emotions of both characters. It has a feel and a flow to it that seems to match whats happening. I'm not explaining it very well but it feels quite claustrophobic in the sense that both the characters and the reader are kind of trapped in the emotional storm and the inevitability of how it will end. I very much enjoyed reading it.
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