I didn't want to do it
By KiriKit
- 1401 reads
I must have been about 6, and as usual I was the only girl. Only boys in our neighbourhood – ‘something in the water’ old ladies sniggered to each other. And I was small. Unusually small. A head and a half shorter than the boys who stood around me as we looked down at the dead bird.
It was fascinating to us, stinking in the summer sun, crawling with insects. A broken pile of feathers and bones. ‘I don’t want to do it’ I said, but secretly I did. I chopped its head off – chopped its head off with a spade. I don’t know why, but death was as yet something abstract, exciting. That act of violence was a need, a desire.
The thing I know for certain is that those boys - those tall 6yr old boys with snails in their pockets and scuffed knees – were softer than me. They were upset by the bird, shocked by the decomposition that drew me in, a gory little girl in frills and pigtails.
And then we were older. 13 now, Jason and I, two survivors from that earlier crowd. I was still small and he was a strapping boy, the tallest in his class. ‘Come over this wall’ he said, ‘don’t worry, they won’t catch us.’
‘I don’t want to do it’ I said – but I took his hand and scrambled over into our paradise of dereliction – a deserted china clay mine a mile or so from Jason’s house.
‘I don’t want to do it’ I said, as I eagerly broke the lock of a gated tunnel and ventured into the damp dark. I pressed on ahead when Jason said ‘we should probably go home’, and navigated broken glass and falling masonry with glee as he followed on behind me. I laughed when he tripped and fell – couldn’t help it – he was still softer than me, this tall boy with tears on his cheek and blood on his hand.
And then we were older still – 18 and trying to jam as much into every minute as our little home-grown minds could take. ‘I don’t want to do it’ said Jason, as I dragged him, reluctant, behind me.
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Comments
this is good, really good,
this is good, really good, but could be far better if you broke the three seperate narratives into seperate storylines of six, thirteen and eighteen. Slow down time. It's got an edge about it, which I like.
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Agree with Celtic - it feels
Agree with Celtic - it feels like a draft for something much longer. I hope it is because there's a lot of potential story telling in there and you write so well.
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There is such immediacy in
There is such immediacy in the writing: moments re-lived with raw intensity.
Could this become a longer piece? I agree with Celticman and airyfairy. I'd like to see the characters developed and their stories continued.
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