(This Life) Part 3: The Butcher’s Wi(n)dow
By bhi
- 1694 reads
Dark; line between earth and sky lost.
We move, grounded, path familiar,
following the soft rounded road
past the oak, The Plough, St Lawrence,
turn into The Street, sun now faint
bloodstained thin through the thick wet clouds,
cross by the sunk Methodist Church,
up the steep, on our left Crossways,
until we’re at Lyme’s Parade, where
N’Ville’s, The Butcher’s window stars,
carcasses spotlighted, displayed
strung on hook and chain, sinews stretched,
prime cuts custom trimmed, arranged
to showcase The Master’s cutting art.
The dogs are mesmerised, I too.
In the vaulted back shadows move,
stationed at their blocks disciples
chopping bones, crushing, slicing through
tendon, peeling flesh, paring fat,
working soundless upon the dead,
tantalising
brutal motions
transporting me back
to that church where five thousand sheltered,
and God could do no more than watch
as under his watch they were slaughtered,
blood harrowed into the cracked Earth,
body upon body laid, a grave
for itself, its past, its present,
this day, truncated by the machete.
The dogs shift, restless, tuned to my thoughts;
deliberating morality
we head back home
taking the alley past The Barn.
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Comments
Outstanding...
use of imagery to convey internal desolation at recall of horror (Rwanda?)
best to you
Lena xx
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You have not lost your touch,
You have not lost your touch, my dear friend. Your dogs seem to know more about morality than a lot of people I know.
Keep safe and well. P
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An horrific massacre
and one that weights your theme of individual morality and responsibility.
It is only recently that Butchers once again find new customers by a display their goods in resplendent hung gore and fully feathered glory: for a no. of decades, western society has distanced itself from Blood by a thin layer of plastic and supermarket/ News media set dressing.
I attempted to address this in an old poem
https://www.abctales.com/story/lenchenelf/art-cooking
by demonstrating (in amongst other themes) how a childs morality of death and personal consumption is shaped by practice set within an artistic context of home overlayed with forensic pathology and commedia del'arte. What is Normal is often determined by our Patriachs, Elders, emboldened by our Peers.
Your poem is a challenge, carefully crafted to pull away a gauze between realities.
Curstey to you sir
best
Lena xx
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I don't understand why it is
I don't understand why it is ok to eat meat. But as Lena raises there is something worse in a way, how life is stripped of any dignity in polystyrene trays and clingfilm, exchanges the wires of a cage for the lines in a barcode and never knows choice. Butcher's shops, we can see the creature was alive, it had legs like us, bled like us. If it is still alright to eat something that felt, feared, thought, then at least a customer to such a place has confronted what they are doing. Billions of creatures are slaughtered every year and we try not to think about it so we don't have to care. As with people. A butcher's window is like a tv news screen. To see is to have to think about ? But how you describe the one where you live, it sounds like they are trying to make dead creatures look like art, showing off the craft of butchering.
Going past the Barn on the way home, that you mention it is important? We think of barns as a place of safety for animals, but in the end, are not? Or the stable in the Nativity?
Am very glad you are writing again, these making me think poems!
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Gosh! I would never consider
Gosh! I would never consider buying from a butcher unless it was for an animal. I wonder how many vegans do?
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