With Her Without Her
By Silver Spun Sand
Thu, 19 May 2011
- 3173 reads
15 comments
Manic sounds
of frenzied packing
ricochet
down the staircase
from her room
into a clouded hall...
Suitcases – prized
free; dragged,
protesting
from the loft.
Posters bleed;
ripped
from walls...
no mercy shown;
holdalls, borrowed
indefinitely.
Footsteps – dressed
in black, draw
ever closer...falter;
some turn back,
then turn away...
grow fainter
with the distance.
Long after
that final door-slam
fades from memory,
a host of hangers,
in her hallowed, lonely
closet, still clang
a liturgy...
At an open window
a wind-chime,
long-since outgrown,
of butterflies
and birds,
stoically knells...
shepherding emptiness
into neat, little rows.
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Comments
Hi Tina, good to read your
Permalink Submitted by skinner_jennifer on
Hi Tina,
good to read your work again, you must be on the
mend.
This one has all the elements of that person who
leaves, never to return. I like the way you have
described the feelings of the person left behind.
Good read,
Jenny.
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This really touched me. I
This really touched me. I have done the whole final door slam and packing thing. Thank you for this emotional beautiful read again x
Kayleigh Nichols
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A lot of good lines here
A lot of good lines here Tina- I could almost hear the door slam- it was very final.
;)Pia
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A very moving piece, Tina.
A very moving piece, Tina. So much more to this than meets the eye I'm sure.
Get well soon. Coral
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Tina, this is wonderful but
Tina, this is wonderful but so sad - the clanging coat hanger liturgy, the outgrown wind chime. It really works very well.
Rob
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I agree, I found this very
I agree, I found this very emotive and beautifully expressed. I adore the imagery, particularly;
"Suitcases – prized
free; dragged,
protesting
from the loft.
Posters bleed;
ripped
from walls...
no mercy shown;"
Beeme xx
k.
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I thought the imagery was
I thought the imagery was very powerful and poetic, but I was left hanging at the end without enough information to fill in the missing pieces. Who was the having the hissy fit and why? Where will she go and what will become of our emotionally distraught protagonist? It's only in the second to last stanza that we learn that it is a 'she'.
This is not to say I don't like the piece but rather that it left me with "a wind-chime, long-since outgrown, of butterflies and birds,stoically knells... shepherding emptiness into neat, little rows."
To play the Devil's advocate, because your language is so unique, the other miscellaneous information could prove a distraction. The poem is what it is - a rather lovely, fragile and ephemeral snapshot of emotional upheaval. Case closed.
barryj1
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