The Child in a Drugs Raid (For Abigail)
By innes-may
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The child in a drugs raid
may piss herself –
it's the shock.
The massive boom
The shouting. The splintering door.
The child in a drugs raid
may feel indignant
cut by the injustice
splitting their rooms;
Yes, there is the mould on the kitchen walls,
and there is the counter top next to the hob where they cook up.
But this is our kitchen. And who are you, anyway?
She knows that when the policeman stamps his foot on the small of John's
back, when John is on the floor and can't even do anything, that policeman is wrong.
Everyone knows John, and everyone knows he is not a bad man.
This means the policeman is a bully and he's not doing his job properly.
The child in a drugs raid
watches everything upended.
Helpless, she knows nothing will ever be the same. The dust will never settle,
those things will never be put back. They will live a fractured people
forever abandoned to the mound of odd shoes in the alcove under the stairs.
The child in a drugs raid
learns an abiding distrust of authority
uniforms
and visitors who turn up at the door with clip boards.
She may develop a tendency to flinch at sudden noises
a thirst for homeliness
for loyalty
and dull, ordinary things
she cannot stomach.
The child in a drugs raid
standing in the hallway, hoping no one notices that her socks are wet
hiding on the stairs, knees by her chest
is a noted referral
to Social Services
a minor, a witness
a number among the party.
The child in a drugs raid
brushes her fringe out of her eyes,
chews the hard skin on her thumb
picks at the scab on her shin, sniffs
and breathes out. She carries
generations inside her.
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Comments
what a great title and a
what a great title and a great poem too! I want to know more about Abigail
The style is perfect, it mirrors the cold detatchment of official reports, and in its quiet understated way makes the growing sense of damage more urgent until the last line , 'she carries generations inside her...' We get a sense of the full blown legacy, the dangers of replicating behaviours or clinging on to awful dull things she cannot stomach. You've written a clipped biography, more potent than potted shrimp. Don't know how I missed your stuff before
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So powerful, you make sure
So powerful, you make sure our focus on the child, that we do not overlook her in this scene where she has been pushed to the margins.
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She carries
She carries
generations inside her.
Yes, that's true. We all do. The repetition works well.
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