Flying Ops
By Ewan
- 4681 reads
From the soles of the feet
to the edges of your teeth,
you can feel it in every single bone:
Rolls-Royce smash kilo-newtons backward,
pursuant rage vibrates along the wing
and into the fuselage.
You’ve sucked oxygen, the mask
jammed hard against your face,
a hangover or nerves? Who cares?
Merlin shouts into the ether
‘Nimrod is ready’ – and you are not:
not even for mission abort.
The flight deck are reading cards,
checks they do in their sleep:
twenty nine –Twenty Nine – strapped in,
krugerrands in pockets, pistols in metal boxes.
ready for take-off into the blue
and into the danger.
As if…
30,000 feet up – beyond blue –
we are untouchable, invincible:
nothing murderous from Mosul,
or killing from Kabul
can touch us up here,
nothing at all.
We issue confident reports of artillery
and Roland of the rocket troops
- based on half-heard call-signs
and misheard messages on the airwaves -
by satellite and microwave
to London and the Pentagon.
The new-Olympians play Risk:
they move pieces on Mercator-mapped
computer screens in Cold War Dungeons
as outdated as the policies
the brave and foolish implement
on the other side of the world.
You look out of the porthole,
one of the few with a view,
you look outside at Iraqi deserts,
or the Afghan Karakorum,
or maybe even Damascus:
it’s like a child’s atlas.
Until…
The landing comes, on Aphrodite’s Isle,
or in some dry desert
owned by Sheikh Yer Moneymaker,
who went to school with the pilot:
either way you run for solitude
and the peace of terra firma.
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Comments
Fantastic opening sets the
Fantastic opening sets the tone for another wonderful poem Ewan. I love
or the Afghan Karakorum, or maybe even Damascus: it's like a child's atlas.
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I couldn't agree more. I
I couldn't agree more. I think Heaney felt the same way at times with his poetry, 'stuck in the doldrums of what happens". I can't put pen to paper if it hasn't happened in some form, and then I bastardize it to my own ends, usually to try and make it beautiful. That's my defective imagination though, and the reason I write so little. Even without the intro this feels authentic, the descriptions from a place of experience, and for me in this case, all the better for it.
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This exhilarating poem is our
This exhilarating poem is our Facebook/Twitter pick of the day. It does what I think the best poetry should - takes us to another place, shows us something wonderful, and keeps us there long after we have stopped reading. Please like and share if you enjoyed it too.
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This is so very far from
This is so very far from anything I've experienced, but it made it so real to me. Particularly :
30,000 feet up – beyond blue –
we are untouchable, invincible:
nothing murderous from Mosul,
or killing from Kabul
can touch us up here,
nothing at all.
You have made this bubble of safety in the middle very clear, can almost hear the engines
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The tone is spot-on. One of
The tone is spot-on. One of those I wish I'd written, but life was never so exciting. A pawn with a view. Nicely done, Ewan.
Parson Thru
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I might have nicked it from
I might have nicked it from you.
Parson Thru
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Great that this appeared on
Great that this appeared on National Poetry Day - it is a great poem. I'm doing a course at the moment on 'creative non-fiction' - which turns out to be a lot more complicated than making 'what I did on my holidays' more interesting - and this strikes me as a brilliant example of just that.
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I'm a bit worried about that
I'm a bit worried about that too. At the moment it involves being introduced to a whole branch of lit crit theory I never knew existed, with words I have to keep Googling.
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Dylan on critics. No point in
Dylan on critics. No point in trying to better his point of view.
Parson Thru
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aye those good vibrations
aye those good vibrations have something to answer for.
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