La belleza
By Parson Thru
- 3525 reads
The blackbird sings from high in a neighbour’s tree.
He reaches an adjacent street, from where comes a faint response.
They banter and mimic each other, an overlapping entanglement like drinkers in some high-ceilinged bar of Madrid.
“Why are you going out there?” she asked.
“What’s out there anyway?”
“You’re here to keep me company.”
A 1950s illustration, “Beano” and “Dandy” newsprint. The family leaning out of their seats, fixed to the screen.
Her dream, of domestic life.
The chill sets in. I forgot how the winter temperature lingers on through spring. The delusion that fosters resentment. Memories. Whitsun holidays on the cheap.
And it’s still only April.
In a couple of weeks, the switch will be thrown in Madrid. Coats hung up, jumpers laid away for the summer. Warm evenings filled with buses, blue and brightly lit.
The blackbird hops on the lawn, teasing treats from the soil. He’s youthful, sleek and black. When he flies, I feel the beat of his wings.
The female – brown, not drab – chip chip chips from the midden by the greenhouse. She turns her head on its side. Looking up? Listening, maybe. A crow overflies. Chip chip chip. She skips across the lawn, wings hanging heavily by her side.
The toilet flushes again. Water spatters, teeming down the plastic spout. The bathroom window is lit. The voice low and resentful. She thinks she can’t be heard, like a driver picking his nose in open view.
There’s an ugliness abroad alright, but I hold on tight to la belleza.
WhatsApp a photo to N. Crescent moon in a darkening sky, first star, or planet, nearby, against the evening glow.
“It looks like a flag.” I suggest.
“Turkey.” comes the reply. They're beginning to break their fast.
Monday's a better day for holding on.
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Comments
Worth reading just for this line. . . .
She thinks she can’t be heard, like a driver picking his nose in open view.
Top stuff, reminded me of summer evenings mooching around in my parents suburban back garden while they were all watching something boring in black and white on the old Pye.
Definitely cherry bait :)
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Hello mate, good to read you
Hello mate, good to read you again. Nothing less than I'd expect from you, you have those writer's eyes that never stop looking at the world, I think we all do, but you find more beauty than most. It's one of the things I've admired about your writing, even when you are writing ugly, you write it pretty, we see a rusty old drainpipe, you see lines, teture and colour. You paint the blackbirds beautifully. The mark of a good writer is when somebody returns and can remember what they've read of you before.
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So good to be free to notice
So good to be free to notice the interesting and beauty of the detail all around, sight and interplaying sounds, so easily ignored. To fill your mind and memories with, to recall when needed, counteracting resentment.
It brought to mind when we were so thrilled to keep seeing grey wagtails (those of the yellow chests) on a dungheap, great source of food! Rhiannon
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They call it mindfulness
They call it mindfulness, one can learn it and practice it it is supposed to be very good for you. Will check out your link Rhiannon.
Hello Kevin! Good to be reminded that we are often so surrounded by beauty that we don't notice it. Made me think of "beauty is truth and truth beauty". Have I got it right?
Cheers Goodnight!
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That is intense observation.
That is intense observation.
The poem gave me the impression of the writer stuck at the bottom of a pond with something that has been there a long time and is sinking. The writer is stuck as if snagged on a piece of rusty metal, but he is pulling up and out, to see above the sludge and rubbish, to the clean, moving world above, gulping in comfort of things that are not earth bound - stars, birds, love. And comfort comes back from the air in a message on the phone, and in blackbird song. And the writer made something beautiful too
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