Stac Donna (Poems on St Kilda)
By Melkur
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1/Black house, disappearing.
Black house, book of earth scripted to the soil,
The cutter, the cotter, cut down
Sinking to the land, the hands that gave it
Withdrawing favour.
Fallen house with the harvest,
Brittle bones of stones recast
The humble earth retreating that once
Won out over storms.
2/The soaring heights of Stac Lee.
Carved canine soaring above the waves,
Made to gnash the futility of timber,
The sons of thunder’s boast of boat,
Crest of gannets rising in triumph.
Picking the sorrow of the incomplete,
Stranded lives fading on the wreck,
Brother to Boreray:
Desolate.
3/The fowler’s snare.
The firm grip of death
The walk of life for the men,
The rope their call and response,
To catch the birds
Flyting in flight,
Carrying the captives
Home to the black, the bubbling pot
Their last flight
4/Dun.
Broken southern tip
Brown-out facing the mainland,
The grip of power
Held in the rocks
5/Mullach Mhor.
Dark-bruising shadow fading
With the sunset sundown,
The deep shape of Mullach Mhor
Rising up and swallowing Gleann Mor
6/Stac Donna.
The northern queen of the headland,
The silver cloak of spray
Does nothing to remove
Her isolation
7/Spinning the fates.
Fine yarn spinning, lines from mainland changing,
Treads and threads running, yarn spinning to tweed,
Ancient ships gone to ground, drowning,
The spinning rhythm of the clacking board,
Propped on a three-legged stool
Threads continuing to the mainland,
Their new lives in Morvern
The shadow side of helping,
The currency of their new life
Cashiered.
8/Pews.
Pews stretch in lines, orderly,
Regular and corporal,
Corporeal as war graves
Stretching from pulpit to the door
To bolster the remnant
9/The last wedding on St Kilda.
Plainsong, there in black and white,
Scree on the hill rising behind their cottage,
The smoke, the lum now theirs,
Four years on the clock.
Black: dirt of his labour,
Black house buried beside them,
A stonebuilt street rising
For a short island time, so short.
White: the film of her dress
The coming of cumulus,
Drifting veil
Lifting in passing.
10/Cleit.
Roundhouse, smokehouse, storehouse,
Dry gateway to the fallen feathers,
Rough hope hanging, coarse and coiled,
Soft serpent,
Tongue cleaved to the last.
Molehill to a mountain,
Broken door grinning open
Splinters as fangs,
Moss covering the walls
A scalp claimed by time and the west.
11/Eclipse.
Moon in alignment
Blots out the sun for a day,
Not just for a day but on and on,
A stained silver sickle hangs over the emptiness.
Silent the shoreline
To echoes of day trippers
Become lotus-eaters
Now Odysseus has returned.
12/Prometheus Bound.
Visitors, from another world
Bringing fire to mortals:
Yet it is not they
Who stand in agony on the rock
13/Rainbow Warriors.
Natives for centuries,
Brought down to fly no more
The siren call of the rope
Their undoing
Vivid splash of the painted beaks
Offsets the Victorian mourning
Of their overcoats, undercoats
The plainer white, butlers in service
Foreseeing the end of the line,
Past puffing steamers, the fall of man
The harsh, the harrowing call of the wind
Answers to no-one
14/Archipelago.
Beaten sickle,
Broken blade gleaming
Sharp in the callused hand
Of time that is past
15/The Factor.
Knowing glance of locals,
Payment in kind, produce
Value diminishing by the year,
Trickling out to sea
16/Cliffs of Conachair.
Woman and boy burdened,
Proud of their heritage, the dead bodies
Stiffening in their hands,
Preparing to eat
17/Quadrille.
Prows lifted high, carried as a totem:
Care from the weather, the boats
Lifted up along the quay, waiting
As wooden ladders, safe from waves.
The seamen take their partners,
A vow of rhythm in ropes,
Stepping past the stairs to the sea
Making and keeping the book of the dry.
When sea swirls upward
They dance past the waiting arms of seaweed,
Avoiding the final embrace
Of the downward dead today.
18/Handlooms.
Placid eyes of the Soay sheep
Shedding from their coats
Re-clothed the islanders,
Spinning in infinity
Click and spin and weave and make
Soft harvest from the backs of these
Cut with a penknife,
Released for summer
19/Quernstone.
The daily grind
Coming full circle
Oats ground down
For diminishing returns
Women gone from the picture,
Men kneel to do homage
To the hot hub of meal
Slow fists grinding
20/Tetanus Infantum.
Such little shadows succumb
To the sharp fall of time,
Marking time in the long grass
Where time shall be no more
21/Psalm: Martyrdom.
Giving out the line,
Voices catch in the aisle
Each line repeated, hammered home,
The song strong where it is weak
The tide of Solway rises
Submerging all before it,
The last swell of harmony
Washing out to sea
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Comments
So much of the richness, but
So much of the richness, but also the strangeness, of that lost way of life. The sinking blackhouse, the harrowing call of the wind, sum it up so well. I've stood on Baile Sear island looking north west hoping against hope of a glimpse. Now I've had one. Thank you.
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strong where it is weak,
strong where it is weak, poetry that could make a man weep.
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So beautiful. There is a
So beautiful. There is a sense of movement - as the sea, the drifting distance to close focus, present to past, rock to humanity, life and death, you have a whole history here. Wonderful writing.
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